Showing posts with label Luke. Show all posts
Showing posts with label Luke. Show all posts

Friday, November 13, 2015

Serendipity

or at least a happy little coincidence.

To what am I referring? For a long time now I've loved the Gospel according to Luke. Since taking New Testament Survey at Harding University many years ago and learning that Luke's gospel emphasized Jesus' relationship with the poor, the outcast, women, and children, I've taken special note.

Another thing that has drawn me to Luke are some of the unique passages which add depth and humanness to our Lord. One in particular I first encountered in the hymn, Tis Midnight and on Olive's Brow. Here's a bit I wrote about that several years ago. For other unique passages in Luke, look here.

In fact, I am so drawn to Luke's gospel that I have for almost a year now been teaching from it each Sunday. This is my second time to teach on Luke, though this time I've been able to go much slower and studied in greater detail. Sometime when teaching something for this long, there comes a weariness in the subject matter, but this hasn't happened for me. If anything, I am loving the author and his subject even more.

Other things that have caught my interest in the last 20 years or so are the works of N.T. Wright, Richard Hays, and Michael J. Gorman. They have led me to a better understanding of what the Gospel and salvation really mean, and how through God's revelation of himself to humanity as recorded in the Bible, (and found ultimately in his son, Jesus), he has brought and is bringing about the Kingdom of God.

The third aspect of this recounting is that I participate in a theological reading group a friend and I started. We're an ecumenical group and we're not limited to theological works, (We've had discussions of Harry Potter and the Sorcerer's Stone, Les Miserables, and The Light Princess.), though we approach all works theologically. 

This month, our reading group will  discuss Michael J. Gorman's, Inhabiting the Cruciform God: Kenosis, Justification, and Theosis in Paul's Narrative Soteriology. As I was doing a bit of research for the discussion, I came across a recent booklet he's written, titled, Peace in Paul and Luke.

Whatever you may want to call it, however it has come about, it is a happy little convergence.


Wednesday, February 11, 2015

This Is So Me

Richard Beck, who grew up in the churches of Christ, as I did, shares his love for not just studying the Bible, but how he does it. http://experimentaltheology.blogspot.com/2015/02/bible-study.html

Here's my partial stack which I use to prepare for my study of the Gospel of Luke. It's part of living room layout for now.

There is something incredibly satisfying making connections and discovering what others have found, and how it all makes sense. I will be forever grateful to those who helped me appreciate this joy along the way.

Sunday, December 18, 2011

Fourth Sunday In Advent 2011

The lectionary readings for today are:

First Reading: 2 Samuel 7:1-11, 16
Psalm: Luke 1:47-55 (Luke 1:46b-55 NRSV)
Psalm (Alt.): Psalm 89:1-4, 19-26
Second Reading: Romans 16:25-27
Gospel: Luke 1:26-38

I love the Gospel according to Luke, and while I have every intention of completing a series on this gospel at some point, I'll take a bit of what a future post may contain to mark this day.

In the society in which Mary lived, she would have been pretty much a nobody: poor, a female and unmarried. To get much lower, one would have had to have been an expendable, basically a beggar or leper. Now, she was not alone, most of society were peasants, but she would have been much more vulnerable than a married man in that class. Yet it is she who  found favor with God. Displayed for us is the thread woven throughout scripture, that God is no respecter of persons. In fact, he seems to always be turning our ideas of status upside down. Here, before Jesus, God incarnate, is conceived, the lessons he will teach on his earthly life are being taught already through a peasant Jewish girl.

When confronted with the message from the angel Gabriel, that she will bear a son, Mary asks for no sign, but for understanding. The angel Gabriel graciously gives her both, understanding in how the God most High will overshadow her and a sign in that her elderly cousin Elizabeth has conceived and will have a son.

Nothing is impossible with God, not for Mary, and not for us.

Mary places her life in God's hands.

Lord give me not a sign, but trust and understanding.

Wednesday, January 5, 2011

The Gospel Of Luke: Introduction and Preface

Authorship
Luke is widely held as the author of The Gospel of Luke and The Acts of the Apostles. Both tradition and internal evidence upholds this view. Though neither book names its author, the author places himself in the story in Acts as a companion to Paul, and three of Paul’s letters, Colossians, Philemon and II Timothy refer to him as his companion.

Dating
There is a wide range of thought as to when the Gospel of Luke was written, most within the range of 60 – 90 AD. I hold to a date around the early to mid 60’s for two reasons: Neither the death of Paul nor his letters, (they were more widely distributed in the latter years), are mentioned in Luke’s account. Luke also sees the need to give a defense of the gentiles place in God’s plan, which there would be little need for if it had been written at a later date.

Biography
Lucas, or Luke, is probably an abbreviation of the name Lucanus. From this name and the fact that he was a physician, it is thought by some that he may have been a slave.  Slaves at this time in the Roman Empire were sometimes given a shortened or nickname of their master, and in wealthy families, a slave was often chosen to be educated in medicine to be the family doctor.

That Luke was educated is obvious from his writings.  Both the Gospel of Luke and The Acts of the Apostles are written in a higher literary style than the other New Testament books. The allusions to the Septuagint in his gospel and the Hellenistic narrative form both of his books take testify to his intelligence and education.

His grasp of the Septuagint is so great, that it is assumed that he was either a Gentile proselyte or a God-fearer like Cornelius or the Centurion from Luke 7. He was not likely born a Jew, as Paul lists him among the uncircumcised in his letter to the Colossians.

Tradition holds that Luke was from Antioch in Syria. He enters the story in Acts when Paul, Silas and Timothy reach Troas, 50. From there he goes with them to Philippi, 50-57, and remains there. He then journeys with Paul to Jerusalem, 57-61, and then onto Rome, 61.

He is referred to in Acts 16:11-18, 17:1, 20:5-21:18, 27:1, 28:1, 12-16, and by Paul in Colossians 4:14, II Timothy 4:11, and Philemon vs.23&24.

Genre
History – Luke’s gospel is often viewed as historic narrative. His style, particularly in the preface of the gospel follows Hellenistic form for the historic narrative in this general time period, similar to Josephus.

Theology – Luke tells the story not only to be accurate and to convey facts, but to place them in an order to comprehend their meaning better. There are major strands woven throughout this gospel: God’s sovereignty and faithfulness, mission of Jesus as he comes against cosmic forces which are opposed to God, Christ as messiah, servant, prophet, king, son of man, and Lord, Holy Spirit, cross, etc.

Narrative theology - This is a term used by Michael Travers to describe the genre Luke uses.It is truth told. The reason to use the narrative, to tell the stories, is to bridge the head and the heart using the imagination. Luke’s writing style weaves history, prophecy, teachings, drama and parables in order to cause the reader to understand their meaning, not just to know the facts.

The purpose in understanding the genre is because it tells us what to expect.If we see Luke as simply a history book, we will look for facts, places, dates, etc. If we look at it as simply theology, we will likely look for doctrinal propositions and categories. If we look at it as a story, a true story, but a story none the less, we can then become part of it. A reader is always a part of the story. We can identify with characters, we can imagine the settings, we can be there, and in doing so, we can meet Jesus and let his words and actions change us.

The Uniqueness of Luke
Luke is considered one of the synoptic gospels because of its similarity to both Matthew and Mark, but it is also quite unique.  It is the longest gospel, with twenty four chapters. Along with Acts, Luke’s writings are a full ¼ of the New Testament. There are at least nine parables, five teachings, and seventeen narrative accounts which are in Luke alone. He also emphasizes feasts/food, women, the poor, the outcast, children, gentiles, the Temple /Jerusalem, prayer and God’s sovereignty.

Luke also serves as a bridge, between Jews and Gentiles and Jesus ministry and the church.
It is the only gospel written by a gentile and the only gospel with a sequel. 

Preface
Luke 1:1-4

Luke’s preface follows closely the form of a Hellenistic historic narrative.Accuracy was important in such endevours, but so was good writing and storytelling to keep the reader engaged and aid in understanding.The preface set the tone.

Luke begins with acknowledging that others have attempted writing narratives of the things that have happened, perhaps Mark or Matthew. He mentions eyewitnesses who have delivered the accounts to them. This need not be limited to written accounts. Luke spent a few years in Jerusalem, where there must have been many who had been with Jesus. It would make sense that he gained much from female witnesses since his later accounts of the Nativity and details of Herod’s household would likely have been informed by Mary and Joanna, the wife of Herod’s steward, Chuza. Most New Testament scholars have attempted to explain the differences between the synoptic gospels by suggesting a possible earlier source, Q (for quelle, or source), or for Matthew, another source called M, or for Luke, another source called L. These sources have often been thought of as written documents, but could very well have been the eyewitnesses or stories and traditions that had been relayed.

Luke sees it fitting that he should also make the attempt, perhaps one more orderly or for a wider audience.He addresses the letter to, most excellent Theophilus, a common name in that time, meaning God adorer or lover of God, who must have been of high rank or status by the way he is addressed and perhaps was Luke’s patron, commissioning this work. Luke states that his purpose in writing is to give an orderly, accurate account. This does not necessarily mean chronological order, but one that conveys the meaning and importance of the events which took place. He wants Theophilus and others who would hear or read what he has written to understand and be assured of the accuracy of what they have already been taught, so Theophilus must already be a believer.

References are:  Luke by Darrel Bock, The Gospel of Luke,Sacra Pagina by Luke Timothy Johnson, The Gospel of Luke, Joel B. Green, and of course, the Gospel of Luke.

Monday, December 27, 2010

The Gospel of Luke

The Gospel of Luke

Study begins Wednesday, January 5 

In the Community Room on the upper level

 

Thursday, April 1, 2010

The Witness Of Luke

I've always loved that we have four Gospels, four witnesses who tell of the life of our Lord from their perspectives. I love that the Holy Spirit in guiding them did not take away their personalities or points of view. The witness whom I most appreciate is Luke. The details which he shares seem so tender and compassionate, like Mary's Magnificat, the angels and the shepherds, twelve year old Jesus sitting among the teachers at the temple, Mary choosing the better, Zacchaeus's repentance, and many more. During Holy week, one detail stands out particularly to me. It is in Luke 22, specifically vs. 43.
39 And he came out and went, as was his custom, to the Mount of Olives, and the disciples followed him. 40 And when he came to the place, he said to them, “Pray that you may not enter into temptation.” 41 And he withdrew from them about a stone's throw, and knelt down and prayed, 42 saying, “Father, if you are willing, remove this cup from me. Nevertheless, not my will, but yours, be done.” 43 And there appeared to him an angel from heaven, strengthening him. 44 And being in an agony he prayed more earnestly; and his sweat became like great drops of blood falling down to the ground. 45 And when he rose from prayer, he came to the disciples and found them sleeping for sorrow, 46 and he said to them, “Why are you sleeping? Rise and pray that you may not enter into temptation.”

As Jesus prayed in agony, an angel was sent to strengthen him. We don't hear about this very often in sermons, books, etc.   It is such a compassionate scene and is good to know. When Jesus was praying for the cup to be removed, when his friends had failed him, the Father did not abandon him, he gave him the strength to follow through.

There is so much of Christ's death that is a mystery, that theologians will argue about until Christ returns. (Let's hope they end the arguing there!), but there seem to be some things that are clear. That the Father and the Son are one and before the world was created, they knew this day would come. (It's very hard to talk about the actions of God, knowing he is the creator of time and not bound by it!) Mankind did not shock God when it sinned; God did not have to go to plan B with the law of Moses or plan C when the law could not be kept. God worked his plan in time leading to the perfect time when he would reconcile to world to himself.  This self sacrificial love is God's nature. As he transforms us into his likeness, it is also becoming ours.

I am so thankful to Luke, for reminding us that the Father loves the Son and did not abandon him in his weakness and grief.

There is a hymn which first clued me in to this part of the story. In fact, until I determined at some point in my childhood to see if the fourth stanza was even scriptural, I had thought it may have simply been made up. I'm very glad I was wrong. Here are the lyrics.
'Tis midnight, and on Olive's brow
The star is dimmed that lately shone;
'Tis midnight in the garden now,
The suff'ring Savior prays alone.

'Tis midnight, and from all removed,
The Savior wrestles lone with fears-
E'en that disciple whom He loved
Heeds not his Master's grief and tears.

'Tis midnight, and for other's guilt
The Man of Sorrows weeps in blood;
Yet He that hath in anguish knelt
Is not forsaken by His God.

'Tis midnight, and from ether-plains
Is borne the song that angels know
Unheard by mortals are the strains
That sweetly soothe the Savior's woe.